Rajkummar Rao

Janhvi kapoor

Varun Sharma


Dinesh Vijan

Mrighdeep Singh Lamba


Hardik Mehta

For a long time, Bollywood didn't try the horror-comedy movie. In any case, it sure appears to have gotten the extravagant of producers as of late. Chief Hardik Mehta attempts to mix the two classes in Roohi and prevails generally. In the film, the three entertainers at the focal point of the plot – Rajkummar, Varun and Janhvi – are in incredible structure and complete one another exhibitions. Rajkummar, once more, pulls off another part that makes them play the humble community fellow with hued hair and a ridiculous grin. However his person might have similitudes to his job in Stree, he guarantees that this one stands apart with various idiosyncrasies and non-verbal communication. Yet, one contemplates whether this is one job he is taking on extremely ordinarily. Varun sparkles with his extraordinary comic planning and pitch-wonderful articulations. The entertainer pulls off comic parts effortlessly, and here once more, he displays his style for satire. Regardless of whether as Roohi or Afza, Janhvi doesn't think twice. She conveys the chills effortlessly while playing Afza as she does as the bashful Roohi. 

The film has its portion of chuckles with references made to minutes from famous movies – for example, Rose "letting" Jack bite the dust in the notable Titanic and the extraordinary 'palat' second in Dilwale Dulhania Le Jayenge. The film, composed by Mrighdeep Singh Lamba Gautam Mehra, is packed with elegantly composed jokes, which land flawlessly on most events. 

What the film needs is a more profound account. There is a passing notice of how the principle characters manage an origin story, however very little sticks on to you. At more than two hours, the film could do with a more tight alter. Aside from all the diversion, the film advances the idea of confidence and self-conviction, which works somewhat, however the completion appears to be a tiny bit helpful, indiscriminate and does not have the punch that one is taken care of right from the beginning. With respect to the music, the two principle tracks – Nadiyon Paar (repeated rendition of Let the Music Play) and Panghat – that work out during the opening and shutting credits are the features of the soundtrack basically made by Sachin–Jigar and stay to you even after the film is finished. 

Generally, the film stays consistent with its kind and packs a decent portion of amusement.